October 3, 2014
A trio with numerous credits in the worlds of jazz, fusion and classical, Electreo presents a contemporary interpretation of a myriad of jazz styles. Electreo’s sound is richer and more robust than one might expect from a trio. A unique combination of electric bassoon with bass and drums, the instrumentation lends itself to music that is both open and full, harmonically developed, and rhythmically engaging. Featuring Jeff Denson on bass, Paul Hanson on bassoon,and Alan Hall on drums.
Advanced HS Jazz Workshops I and II take the stage at The Sound Room for special performance.
Please note this concert is at The Sound Room in Oakland.
About The Sound Room
The Sound Room is not your average jazz club. It is the downtown Oakland home of Bay Area Jazz & Arts, Inc (BAJA), a non-profit 501(c) 3 organization. It is a music and art program by and for people who love music, especially jazz. BAJA focuses on programs that encourage understanding of Jazz, America’s original music tradition.
The club was designed for its conception to be an intimate listening environment where fans can get up close to the performers. This all ages venue offers healthy food, beer, wine and soft drinks with cabaret seating.
- See more at: http://cjc.edu/event/california-jazz-conservatory-student-performances-at-the-sound-room-3/#sthash.JIZ6zWSG.dpuf
September 28, 2014
The Jazzschool Community Music School Vocal Department presents a monthly jazz vocal jam session, hosted by Angharad Jones. All are welcome! Singers should bring three copies of their song for the band. Please arrive by 6:30 pm to sign up.
Dubbed as “the Superman of the Bay Area jazz scene” by the San Francisco Chronicle, Kenny Washington is a jazz virtuoso who thrills audiences with his soulful interpretations, seemingly limitless range, and rapid-fire scatting. Join Kenny and saxophonist Michael O’Neill and his Quintet as they recaptured their musical connection found on their collaboration albums, The Long and Short of It and Still Dancing. Featuring John R. Burr on piano, Dan Feiszli on bass, Alan Hall on drums, Erik Jekabson on trumpet, Michael O’Neill on saxophone and vocalists Kenny Washington.
If you have never heard this New Orleans native sing before, get ready for a jaw dropping experience. Kenny is a jazz vocalist virtuoso. Emulating the classic styles of Ella Fitzgerald and Sarah Vaughan and infusing colors of Stevie Wonder and Donny Hathaway, Kenny’s free, playful approach, with over a four-octave range is awe inspiring. His tone on ballads is liquid, his scat is so rapid-fire, passionate, melodious and inventive that subsequent saxophone solos often pale, and his intonation is so precise that it becomes noticeable if the piano wasn’t tuned that day. His range seems limitless. With a childhood background singing in gospel, Kenny is at home with the Blues as well as Jazz. This man is a must-see.
Michael has performed and/or recorded with Idris Muhammad, Joe Locke, Michael Wolff, Giacomo Gates, Eddie Fisher, Rodney Jones, Kim Nalley, Jackie Ryan, Tony Lindsay, Margie Baker, Akira Tana, Faye Carol, Brenda Boykin, Nicolas Bearde, Jeff Chambers, Rob Schneiderman, Mark Levine, Frank Jackson, Frank Martin, Larry Dunlap, Bobbi Norris, Peter Horvath, Matt Clark, Smith Dobson, Don Haas, Dave Mathews, Michael Bluestein, Omar Clay, Scott Morris and many others.
In this exciting three-session workshop, students collaborate in writing one song together. From choosing a subject, to writing a lyric, creating a melody, rhythmic foundation and harmonic structure, students learn the process of how songs are formed and the various choices available. By the end of the workshop participants know how to develop a song so it creates an interesting journey from start to finish.
Sundays, September 28,
October 5 and 12, 1pm – 4pm
$165 advance • $180 day of workshop
Please call 510.845.5373 to register for this workshop.
Kenneth Helman is a classically trained pianist, singer and composer who graduated from the Peabody Conservatory at Johns Hopkins and did post-graduate fellowships at the Juilliard School, the Manhattan School of Music and Tanglewood. Ken has appeared at major venues around the world and worked extensively with artists including Sting, Jessye Norman, Harvey Fierstein, Han-Na Chang and Elton John. Learn more at kenhelman.com
AMERICAN SONGBOOK COMPOSER SERIES — IT COULD HAPPEN TO YOU: THE MUSIC OF JIMMY VAN HEUSEN with Maye Cavallaro – Part 1
In this workshop we’ll explore and sing the music of Jimmy Van Heusen, who penned more than 120 hit songs, such as: “Like Someone in Love,” “Come Fly With Me,” “All the Way,” and “My Kind of Town (Chicago).” We’ll also listen to how some jazz greats have interpreted these songs and get ideas for our own arrangements. Students are provided with 7 lead sheets for songs, including practice-backing tracks. In the final week, we’ll work with an accompanist and sing these songs, trying out our own arrangement ideas. Six students max!
Sunday, September 28, October 5,
October 12, noon – 3pm
$250 advance • $265 day of workshop
Please call 510.845.5373 to inquire about this workshop.
A warm, charismatic stage performer and accomplished musician, Maye Cavallaro has traveled extensively in Japan and the U.S., both performing and teaching. She has appeared in the San Francisco Bay Area at clubs such as Yoshi’s, The Great American Music Hall, The Plush Room, Sweetwater and Kimball’s. She is an instructor at the Jazzschool and a mentor for the Vocal Mentor Program. She teaches performance classes and an ongoing composer workshop series as well as maintaining an active performing schedule. Read more at mzjazz.com.
Learn the essential patterns and grooves for playing Salsa, Merengue, Bachata and Cha Cha Cha rhythms on conga drums. Instructor demonstrates proper technique, patterns and fills, providing ample feedback for students of all levels. Beginners will learn the basics, while more advanced players receive an assessment of their current technique and suggestions to enhance their playing.
September 27, 2014
Critically acclaimed Cuban pianist, award-winning composer, and a solid producer and educator, not only on the New York City scene, but internationally as well. Named “the latest Cuban wunderkind to arrive in the United States” by BET Jazz, this classically trained violist and pianist from Santiago de Cuba, considers himself “a curious person who loves music”, and portrays his music as an architectural structure of sounds, incorporating contemporary classical music, Afro-Cuban rhythms, and improvisation as primary material for his compositions.
This interactive workshop with critically acclaimed Cuban pianist Aruán Ortiz is designed for students and teachers interested in spontaneous composition and structural manipulation over all kinds of musical and non-musical materials. Participants discuss, play, examine examples and analyze in detail the following topics: The importance of rhythm in improvisation, melodic and rhythmic motif development, real time composition applied to improvisation, and Afro-Cuban patterns in odd meters. Bring your instrument! (optional)
Named “the latest Cuban wunderkind to arrive in the United States” by BET Jazz, Aruán considers himself “a curious person who loves music,” and portrays his music as an architectural structure of sounds, incorporating contemporary classical music, Afro-Cuban rhythms, and improvisation as primary material for his compositions. He has received a number of awards such as Doris Duke Impact Award (2014) Latin Jazz Corner’s Arranger of the Year (2011) for his contribution on the album, “El Cumbanchero” (Jazzheads 2011) by flutist Mark Weinstein; Best Jazz Interpretation, Festival de Jazz in Vic, Spain (2000); and Semifinalist, Jas Hennessy Piano Solo Competition, Montreux, Switzerland (2001).
September 26, 2014
A percussion feast featuring living legend and pioneer of Cuban drumming, Walfredo de los Reyes Sr., John Santos, David Flores, and Javier Navarrette.